GayWisdom

West Hollywood Book Fair

Author and poet, Trebor Healey, moderated a panel on inter-generaltional love between gay icons, White Crane authors and contributors, Malcolm Boyd and Mark Thompson at this year's WeHo BookFair. For more pictures look here

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Harold Norse

We received word that Harold Norse passed away on Monday. He was 92. 

The Beat Museum will be hosting a Memorial for Harold Norse on Sunday, July 12th, time TBA.

From the Beat Museum: "In 1951, Norse's talent was recognized by William Carlos Williams, who invited him to read at the Museum of Modern Art in early 1952. Williams remarked on Norse's ability to "use the direct image on its own," and became an important mentor to Harold. Williams would later call Norse "the best poet of his generation," a profound accolade considering Williams was mentor to such figures as Charles Olson, Denise Levertov, and Allen Ginsberg. Following the 1953 publication of his first book of poetry, The Undersea Mountain, which was reviewed in The New York Times and Poetry magazine, Norse left America for Italy.

"In 1957, Norse was nearly deported from Italy when the Italian government deemed his poem "Victor Emmanuel Monument (Rome)," political fodder for the Communists.

"Norse moved to Paris in 1960, on a tip from Williams and, at the Beat Hotel, met Allen Ginsberg, Gregory Corso, William S. Burroughs, Brion Gysin, and others, drawn by their interest in Buddhist meditation, which Norse had recently taken up. Using the cut-up technique devised by Gysin and Burroughs, Norse wrote his experimental novel, Beat Hotel. Originally titled Sniffing Keyholes, the first chapter—which he describes as "a sex/dope scene between a muscular black youth called Melo and a blond Russian princess called Z.Z."— made even the often stoic Burroughs laugh. During his time at the Beat Hotel, Norse began creating his 'random paintings' or Cosmographs (using the hotel's bidet).

"Norse returned to America in 1969 and, with Carnivorous Saint: Gay Poems 1941-1976, became a leading gay liberation poet. For the last 35 years he lived in San Francisco’s Mission District."

Friends have created a memorial website http://haroldnorse.com/ But apparently the bandwidth has been exceeded and you may have difficulty reaching the site.

National Award for Arts Writing Winners

Kim Roberts, a frequent contributor and reviewer of books for White Crane, sent us this notice of two new books that have received laurels:

The Arts Club of Washington has announced the winners of the third annual National Award for Arts Writing. The $15,000 Award, although relatively new, has one of the largest purses of any annual book award in the U.S., and is the only award for non-fiction books on the arts for a general audience.

Winners must be living American authors, and books must be published in the U.S. in the previous year.  The award honors and encourages excellence in writing (“prose that is lucid, luminous, clear and inspiring”) and can be on any artistic discipline. Considering how jargon-laden much arts writing has become in recent years (particularly writing about the visual and literary arts), this emphasis on a general, rather than specialist, audience is refreshing. The award goes to books that help readers build a strong connection with arts and artists.

For the first time in the Award’s history, there are two winners, and the books make a fascinating study in contrasts.  The winners are:

Michael Sragow, for
Victor Fleming: An American Movie Master (Pantheon Books)
and
Brenda Wineapple, for
White Heat: The Friendship of Emily Dickinson & Thomas Wentworth Higginson (Knopf)

 Fleming was the movie director best known for Gone With the Wind and The Wizard of Oz, and Sragow’s book is the first full-length   biography of this fascinating man. Some of the strongest writing in the book describes how Fleming developed screen personas for such leading men as Clark Gable, Spencer Tracy, and Gary Cooper, often based on his own experiences. Sragow argues that Fleming developed characters of idealized American masculinity, creating a new definition for a “strong, silent type” who was forceful, charismatic, and vigorous. 

He writes, “The stars he helped create have never stopped hovering over the heads of Hollywood actors, who still try to emulate their careers, or of American men in general, who still try to live up to their examples. The director’s combination of gritty nobility and erotic frankness and his ability to mix action and rumination helped mint a new composite image for the American male. Fleming’s big-screen alter egos melded nineteenth-century beliefs in individual strength and family with twentieth-century appetites for sex, speed, and inner and outer exploration. His heroes were unpretentious, direct, and honest, though not sloppily self-revealing.”

Wineapple’s book, in contrast, captures something of Emily Dickinson’s elusive spirit, as she initiated and sustained a friendship with Thomas Wentworth Higginson, her long-time confidant. Wineapple argues that Dickinson cannily sensed that he would be a sympathetic reader, because Higginson, a former pastor who frequently wrote for The Atlantic Monthly, was also outspoken on issues of abolition of slavery and women’s rights. She was also befriending the man who would later make the posthumous publication of her poems possible.

On the selection of the two winners, judge David Kipen says, “The idea of the passionate but chaste Emily Dickinson on a blind date with Byronic, swashbuckling Victor Fleming, if only for one night, encompasses precisely the breadth of inspiration that these awards exist to honor.”

The Arts Club of Washington will begin accepting books published in 2009 in June for consideration for the next award. There is no entry fee. Publishers, agents, or authors may submit books; three copies of each book and the official entry form are required. The deadline for the next award is October 1, 2009.  Full guidelines and entry forms may be found at: http://www.artsclubofwashington.org/award.html.

Kim Roberts is the administrator for the National Award for Arts Writing.  She previously wrote about Emily Dickinson’s Herbarium for White Crane (Issue #73).

Every Elder Lost is a Library Lost...

G. Donn Teal, one of the founders of the Gay Activists Alliance (GAA) organization in late 1969, died February 3, 2009 after a long illness. He was 76 years old.

 

On February 23^rd 1969, his pro-Gay New York Times article, "Why Can't 'We' Love Happily Ever After, Too?" appeared: a protest against the "doomed misfit/sinner" stereotype of American Gay men and lesbians in film, on stage, and in literature. The article provoked great response, and was followed on June 1^st by "Why Record Homosexual Anguish?", a Times review of A&M Records' original-cast recording of Mart Crowley's play "The Boys in the Band."

More importantly, he wrote the first history of the Gay liberation movement, "The Gay Militants" (Stein & Day, 1971; St. Martin's Press, 1995), as well as articles in The Advocate, Ovation, Musical America, and other magazine and newspapers, notably the Village Voice, in which appeared "Straight Father, Gay Son: A Memoir of Reconciliation" on June 26, 1978; the article was later republished under Mr. Teal's nom de plume, Roger Forsythe, in Ralph Keyes' 1992 collection for HarperCollins, Sons on Fathers.

Historian David Carter adds: Donn's closest friends, Trumbull Rogers and Randy Wicker, the early homophile movement militant, asked me to make the above material available to the media. I volunteered to use whatever media was available when they remarked to me that he and Randy would arrange a memorial service for Donn "although only seven people will show up."  

I volunteered to do this, because I regard Teal's book, The Gay Militants, as one of the most important works of LGBT history and I did not want Donn's passing to be noted by only a handful of people. As the author of The Stonewall Riots I have always said that the Stonewall Riots are important only because they gave birth to the Gay liberation movement, just as the fall of the Bastille is important because it led to the French Revolution. If that book was about the spark that set things off, then Donn's was about something immeasurably more important: the revolution itself. And a damn fine history it was, written by Donn, who went to all the meetings he reported about in the book, allowing the book to be both highly accurate, have a wealth of detail and be told with an immediacy that makes it gripping to read. Unfortunately the book has been rather forgotten except by scholars. Anyone who has an interest in Gay history should -- no...rather he or she must read this book.

 

Donn was one of the co-founders of the Gay Activist Alliance (GAA), the organization that was the main exemplar of that revolution, and, unfortunately today too many people have forgotten about GAA, Donn was so modest that not many people ever thought of him as a founder of GAA, but he was one of the original 13 wo started it in December of 1969. 

 

Let us remember, then, that this is year is not only the 40th anniversary of the birth of the Gay Liberation Front (GLF) and of the Gay Activist Alliance and hence of the Gay liberation movement, that critical phase of Gay, Lesbian, Bisexual and Transgender civil rights movement that put us on the map for all time. 

 

Donn Teal was born in Columbus, Ohio.

 

Also: The Oscar Wilde Bookstore has announced that, under the strains of the current economy, it is closing its doors. The Oscar Wilde Bookstore first opened in 1967.

Jesse's Journal -- In Praise of Books

I recently saw Mark Doty accept the National Book Award in Poetry for his book Fire to Fire: New and Collected Poems (Harper Collins).  During his acceptance speech Doty thanked his husband Paul; they were recently married in Massachusetts. Like Augusten Burroughs’s memoirs, and David Sedaris’s humor, Mark Doty’s poetry appeals to all readers regardless of sexual orientation. Needless to say, it is a great distinction for an out Gay poet to be honored, not as an "American Gay poet," but as an American poet, period. Doty’s honor was well-deserved. (He is, by the way, also the judge for the 2008 White Crane James White Poetry Prize, the winner of which will be announced in the spring issue of White Crane.)

 

 

Doty’s NBA acceptance speech was one of the most inspirational I have seen or heard in quite a while. Unfortunately, I had to go to the National Book Awards Web sit to see and hear Doty’s acceptance speech, and those of the other NBA winners. That is because, unlike awards ceremonies honoring movies, recorded music, television or theater, literary awards are never televised, except perhaps on C-SPAN (which, as the saying goes, “nobody watches”). The fact that literary awards are almost never televised is an indication of literature’s low standing in modern American society, gay or straight. While the major networks know that broadcasting the Oscars, the Grammys, the Emmys or the Tonys will win them large audiences, televising the National Book Awards would almost certainly be a ratings disaster and, even worse, drive away the advertisers.

 

 

There was a time, before recorded music, movies, radio and television, when literature was our culture’s most popular art form. Great writers like Voltaire, Goethe, Scott, Byron, Hugo, Dickens, Zola, Tolstoy and Mark Twain were celebrities in their own right, and their lives and loves enthralled the public the way that the antics of Britney Spears or Lindsay Lohan do today. Today, of course, we have a wide variety of media to give books and their authors stiff competition.  Books have to compete with movies, television and recorded music for the public’s time, money and interest, and books generally lose. Only a few writers dominate bestseller lists and make fortunes from their works. J. K. Rowling (Harry Potter), Stephenie Meyer (Twilight), TV preacher and homophobe Rick Warren (The Purpose Driven Life) and, of course, Barack Obama are just four names in an all-too short list of popular and successful writers.

 

 

For generations of Gay men, Lesbian women, bisexuals and transgender people, books were an important part of the coming out process. Books like Malcolm Boyd's Take Off the Masks, Radclyffe Hall's The Well of Loneliness, Donald Webster Cory's The Homosexual In America, Christine Jorgensen’s Personal Autobiography, Rita Mae Brown's Rubyfruit Jungle or Patricia Nell Warren's The Front Runner, helped many of us come to terms with our own sexual or gender identity. 

 

 

Sadly, interest in books and writers is not what it used to be, not even in the GLBT community. For many years GLBT bookstores served as de facto community centers. Today, there is only one GLBT bookstore left in Florida, Lambda Passages in Miami. Wilton Manors, Florida’s leading “gayborhood,” has many types of stores on Wilton Drive, but no book store. And while book reviews are still a major part of such publications as White Crane, the Lambda Book Report, the Gay & Lesbian Review and the online Books to Watch Out For, most mainstream GLBT publications have dropped their book columns altogether for lack of interest. (Most mainstream journals, Gay or straight, have done the same.)

 

 

At their best, books are an important part of our lives: they educate us, they entertain us, they enlighten us, they inspire us. Unlike most media, books do not require expensive equipment (unless you consider reading glasses to be “equipment”). Long before other media deigned to notice us, books spoke to us and about our lives as GLBT people. And books will continue to do so (I hope) when the other media are long gone. So I urge you to support good Gay books, writers, literary journals, book stores and book clubs, for they give us so much in return.

 

 

Jesse Monteagudo is a South-Florida based freelance writer and Gay book buff.  Write him and express your views at jessemonteagudo@aol.com.

Ink Stained Fingers

  Year end always seems to be the time to reflect and remember and I have been doing a little of that myself, lately. The subject that commands my attention the most, once I've drawn my jaw-gaping attention from the parade of bad economic news and stories of self-centered, over-consuming greed, is "the media" and the very real economic problems that face all media, us included, as the internet (which we obviously use to some advantage ourselves) and the concommitant loss of revenue this means for print media in particular and older media in general.

Most mornings I sit with my coffee and my New York Times and scan the pages, usually starting with the obits...the Irish Sports Pages, as my grandmother would call them...the headlines, letters to the editor, the business section, the show biz stories, and finally, folding my C-section -- the location of the holy, the beloved crossword puzzle that I have worked every day for the past 32+ years -- into the  now reduced (since the Times has cut the size of their pages) quarterfold.

Early in the week I knock that off even before I go off to work; from Thursday on, I carry it with me through the day as my companion for the down moment, the inbetween transit from place-to-place, lest I be caught with nothing to do but stare into space. It is finished, of course, every day. Always in pen, and with specifically prescribed lettering...capital letters only. And no...I don't want any help, thank you very much. The crossword is my own personal pleasure. It is a meditation and I do that alone. I am often told, when I complain that a New York Times is unavailable to me as I travel, that the puzzle...my puzzle...is available on line and I just have to give the benighted person a smile and, controlling my urge to laugh in their face, simply explain that, "No, it's just not the same."

Now, we are told, people get their news here...on line...and are no longer going to print media as much, causing many of the old gray newspapers, in many a city to not just fold into quarters, but fold altogether and disappear. Worse, the newspapers that tend to remain are "NewsLite McPapers" with graphs and four color illustrations (you know who you are!) that take give predigested, reader's digest compendiums of "news" that, rather than connecting the reader with his community, tending to put it all at a sanitized distance when it isn't using "news" to scare us all into stupor or submission.

This is a serious problem I think...and I don't care if I am showing my age by saying so. I can't imagine my world without that moment of solitude with newsprint in the morning, the cat stalking me behind the curtain of paper, attacking the corners of the section I'm reading and demanding attention.

Of course, I am also a publisher of a magazine and, again, people often ask me, when I explain how the costs of publishing have continued to climb, making the production of White Crane more and more costly to produce...they ask me "have you ever considered just doing it on line?"...and of course, we do publish a portion of every issue on line. And, again, controlling my urge to laugh in their face, I patiently explain.."No. It's just not the same."

If there is anyway that we will be able to continue to produce the "hard copy" as it is now referred to, I swear we will. In my heart, to say nothing of my head, there is something critically important about the creation of an actual document, something tangible that you hold in your hands...something that university and municipal libraries collect and bind into leather bindings. Especially for Gay material...and by Gay material, with all due respect for populism, I do not mean OUT magazine, or The Advocate...but I do mean publications like our own and the Gay & Lesbian Review ... as examples.

I'm not saying there isn't a place for popular entertainment. I like and need my fluff as much as the next person (though I really don't care what Paris Hilton is up to...ever.) But beyond that, and somewhere in between that and the fussy papers of academia, there has to be a place for the writings of a community that is still trying to come to terms with itself. And do so in some way other than simply trying to "fit in," assimilate and not cause waves. When I came out 35 years ago, the only place I could find any reference to myself was in the dictionary, under "homosexual"...and a sorry definition it was, too. It is important that some young person, going to their bookstore, or a library find something other than that...see themselves in print and be able to hold onto it for a moment...for as long as they need to hold on to it.

I know the same wringing of hands went on when television came along...and probably when radio arrived...about the loss of something valuable in the glare of something new. Television was going to kill radio. And didn't. The internet is going to kill newspapers. And it won't. Radio still manages to remain relevant and though even I have bought a Kindle (I carried 47 books on the plane with me this past weekend...could have carried more than 2000 if I wanted...no bookshelves to dust, either)...nevertheless I will always buy hardcover books. I might become more selective about what I buy and what I want to care for and store. But I will still buy them.

And so it is with the newspaper and magazine. You will never catch me doing my NY Times crossword on my Kindle...even though it is available on it, every day, for less than I pay to have it delivered to my front door (in the blue plastic bag that is immediately recycled into dog poop duty!...what would I do with out that!?) It just isn't the same thing. My fingers will always be stained with the ink of the C-section, and there will always be a pen in my pocket to do the puzzle.

And we will always publish White Crane if I have anything to say about it. And you will be able to hold it in your hands, and save it on a shelf, and take it down and reread it and share it with your friends and family and community.

As we enter our twentieth year of publishing...we promise you that.

A Prophet in His Own Land

  We're pleased to find out that the esteemed Richard Labonte has named our latest book (on the left there) as one of the Top Ten Nonfiction Books of 2008.

Here is what Richard had to say:

 A Prophet in His Own Land: A Malcolm Boyd Reader, Selected  Writings 1950-2007, edited by Bo Young and Dan Vera (White Crane Books/Lethe  Press, $30)

 "Over the years, Boyd has written or edited more than 30  books, from which the editors have carefully culled the prose and the  prayers comprising this rich reader of a gay elder's always-questioning, never-faltering activist faith—selections spanning more than 50 years that distill Boyd's wisdom wonderfully."

 

I mean...it's special enough to have had the pleasure of working with Malcolm Boyd...but then we get to be acknowledged. That's the kind of thing that makes you want to get up in the morning and go to work!

 

And we're in excellent company...here are the other books on Richard Labonte's list:

 

 My Miserable, Lonely, Lesbian Pregnancy, by Andrea  Askowitz (Cleis Press, $14.95) In this memoir about "40 weeks and five days in hell," Askowitz milks self-professed misery over her pregnancy for captivating comic effect. The ordeals of becoming a single mother—finding sperm, inserting it, week after dateless week—are chronicled in a diary that's winsomely whiny and harrowingly honest.

 

Crisis: 40 Stories Revealing the Personal, Social, and Religious Pain and Trauma of Growing Up Gay in America, edited by Mitchell Gold with Mindy Drucker (Greenleaf Press, $23.95) These personal accounts of rejection by parents, renunciation by churches, and ridicule from and physical attacks by peers link generations and genders through their depiction of the heroism of survival. In a perfect world, every school library would have a copy.

 

 Intersex (for Lack of a Better Word), by Thea Hillman (Manic D Press, $14.95) Hillman's sprightly essays add an intersex's story—please don't call us hermaphrodites, pleads the author—to the queer literary spectrum. The author writes about a muddled medical childhood, her emergence as  an intersex activist, and the women (and men) in her life, neatly blending the political and the sensual.

 

The Memoirs of a Beautiful Boy, by Robert Leleux (St. Martin's $23.95) Debut memoirist Leleux bests both David Sedaris and Augusten Burroughs as a raconteur of wacky family tales with this rollicking story of growing up queer in East Texas. The author confesses to taking some license with veracity, but depictions of his gold-digging mother's fashion and surgical excesses, and of how he found himself falling in love with a Cajun choreographer, resound with wickedly sincere truths.

 

About My Life and the Kept Woman, by John Rechy (Grove Press, $24) Rechy writes with eloquent elegance about growing up Mexican-American in El Paso, where "Juan" often passed as "Johnny" because of the light skin he inherited from his angry Scottish father; about the double life hiding his poverty from better-off friends; about shying away from his true sexuality while in the military during the Korean War; and, most compellingly, about how he became the street-wise, tough-guy hustler of City of Night.

 

Sex Talks to Girls: A Memoir, by Maureen Seaton (Terrace Books/University of Wisconsin Press, $26.95) As "Molly Meek," poet Seaton tracks her passage from religious orthodoxy to sobriety and sexual exuberance—a journey marked by drag kings, butches, all kinds of over-indulgence, and a couple of kids to care for along the way—with writing that is heroically revealing and  often very funny.

 

King of Shadows, by Aaron Shurin (City Lights, $16.95) Shurin's brief essays reveal a multitude of selves: the young student diving with sensual pleasure into sexual San Francisco; the homemaker enthralled by how sunlight adds sheen to his natural pine floors; the "lovechild of Denise Levertov and Robert Duncan" dedicating his soul to the purity of poetry. Resonant fragments coalesce into a vibrant mini-autobiography.

 

Sparkling Rain and Other Fiction from Japan of Women Who Love Women, edited by Barbara Summerhawk and Kimberly Hughes (New Victoria, $16.95) Two fascinating books are crammed—small type, narrow margins—into this groundbreaking anthology. The first: illuminating essays on the sexual, social, and literary culture of Japanese women. The second: revelatory short stories (plus poetry, manga, and a screenplay) about women loving women in an overwhelmingly patriarchal culture. Part fiction, part nonfiction—but the latter makes this one special.

 

The Dictionary of Homophobia: A Global History of Gay  & Lesbian  Experience, edited by Louis-Georges Tin (Arsenal Pulp  Press, $44.95) More than 70 scholars contributed 160 mini-essays to this wide-ranging survey of where and how in the world homophobia continues  to resonate. It's an invaluable eye-opener for North American-centric queer activists who believe that many battles have been won. Originally published in France in 2003, this ambitious translation from a small Canadian press is an honorable achievement.

The Prolific Perry Brass

    White Crane friend and advisor, Perry Brass... will be showing, selling, and autographing some of his books at the 21st Annual Independent & Small Press Book Fair this coming weekend, Saturday, Dec. 6 and Sunday, December 7, from 12:30 pm until about 5:30 pm at the wonderful landmark General Society of Mechanics and Tradesmen Building @ 20 East 44th Street in Manhattan (it's on the same block as the Algonquin Hotel). The General Society is the home of the New York Center for Independent Publishing, sponsors of the Fair, and Perry will be showing at a table on the mezzanine.

National Book Award

White Crane is proud to offer our warmest congratulations to White Crane James White Poetry Prize judge and University of Houston professor Mark Doty for his being named as the National Book Award poetry prize-winner for Fire to Fire: New and Selected Poems (HarperCollins).

Doty has taught in the University of Houston Creative Writing Program since 1999, but next spring he begins teaching at Rutgers University. Fire to Fire brings together new poems with selections from his previous seven collections, including My Alexandria (1993), which won the National Book Critics Circle Award.  There is a wonderful interview with Mark here. And you can see his moving acceptance speech here.

 

Doty is our judge for the first James White Poetry Prize for White Crane. That winner will be announced in spring 2009.

Helping A Brother in Need

Fundraiser to Benefit Writer Stuart Timmons

Saturday, November 15th 3 to 5 p.m. at the

ONE National Gay & Lesbian Archives
909 West Adams Blvd - Los Angeles, California

Renowned Gay writers and artists will gather on Saturday, November 15, to honor celebrated author Stuart Timmons who suffered a major stroke last January. Malcolm Boyd, Chris Freeman, Trebor Healey, Michael Kearns, Felice Picano, Derek Ringold, Terry Wolverton, and others will read and perform from 3 to 5 p.m. at the ONE National Gay & Lesbian Archives. The fundraiser target is $20,000 to help pay for much needed (and very expensive) medical support in Timmons' ongoing recovery.

Timmons wrote the biography of Gay movement founder Harry Hay, The Trouble with Harry Hay and most recently co-authored the best-selling history book, Gay L.A. In addition to his writing, Timmons is a longtime community organizer, active in ACT-UP LA, the Coors beer boycott, the labor movement through his recent work at the Los Angeles Alliance for a New Economy, and as former director of ONE, the world's largest LGBT library.

After complaining to a friend of troubling neurological symptoms, Stuart was taken to Kaiser Hospital in Los Angeles where the stroke was diagnosed and he received life-saving surgery. Stuart is 51 years old. Timmons, who has been unable to speak or move during the past eight months, has been under the careful watch of doctors, concerned family and friends. Recent improvements in his physical condition have been encouraging, says his sister, Gay Timmons, but his recovery will be a long one.

The benefit afternoon will raise funds to provide much-needed (and did we mention very expensive and not covered by insurance?) hours of physical therapy and other medical necessities beyond what routine insurance can allow. "The more additional hours of therapy Stuart receives, the sooner he can return to a functional life," says Gay. "The signs for recovery are good, but now is a critical time for the community to step up and lend its support."

Contributions

Contributions can be made in person at the door or sent to:

The Stuart Craig Timmons Irrevocable Trust
c/o Gay Timmons
P.O. Box 472
Los Gatos, CA 95031.

You can also make a contribution online by Credit Card via Paypal.
Just use this link and you will be redirected to a benefit page where you can link to Paypal.

Copies of Timmons' books and works by some of the presenting authors will also be on sale.

The ONE National Gay & Lesbian Archives is located at 909 West Adams Blvd., near the University of Southern California campus in Los Angeles. Parking is available behind the Archives building, located three blocks west of Figueroa Ave. at Scarff St., as well as in the immediate neighborhood.

Reservations are requested at (213) 741-0094.

The event is being sponsored by the ONE Archives, Lambda Literary Foundation, Monette/Horwitz Trust, White Crane Institute and the Drk/rm photo lab, which will be contributing rare photographic prints. Other artwork will also be available for purchase to further assist in the fundraising effort.